The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 02: a Cleric in Naples — Edition Insights

(2 User reviews)   335
In Category - Memoirs
Casanova, Giacomo, 1725-1798, Machen, Arthur, 1863-1947 [Translator] Project Gutenberg 2004 Not confirmed
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 61,464
Reading time 268 min
Text sections 5

Before opening The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 02: a Cleric in Naples — Edition Insights, the edition data offers a quick orientation: 61,464 words, 4 hr 28 min estimated reading time, and 5 detected text sections.

The text analysis averages about 24.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Casanova, Giacomo, 1725-1798,” connecting these edition facts with the source record’s subject description.

Casanova's second volume recounts his early clerical career in Naples, blending travelogue with social climbing. The excerpts show a young man navigating lodgings, academies, and papal audiences, marked by quick wit and self-deprecating humor.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

This was the last night; probably we should never meet again. The flame of passion consumed us. She proposed that I should lift her up to the balcony through the open space. Where is the lover who would have objected to so attractive a proposal? I rose, and without being a Milo, I placed my hands under her arms, I drew her up towards me, and my desires are on the point of being fulfilled. Suddenly I feel two hands upon my shoulders, and the voice of the keeper exclaims, "What are you about?" I let my precious burden drop; she regains her chamber, and I, giving vent to my rage, throw myself flat on the floor of the balcony, and remain there without a movement, in spite of the shaking of the keeper whom I was sorely tempted to strangle. At last I rose from the floor and went to bed without uttering one word, and not even caring to replace the plank.

In the morning, the governor informed us that we were free. As I left the lazzaretto, with a breaking heart, I caught a glimpse of the Greek slave drowned in tears.

I agreed to meet Friar Stephano at the exchange, and I took the Jew from whom I had hired the furniture, to the convent of the Minims, where I received from Father Lazari ten sequins and the address of the bishop, who, after performing quarantine on the frontiers of Tuscany, had proceeded to Rome, where he would expect me to meet him.

I paid the Jew, and made a poor dinner at an inn. As I was leaving it to join the monk, I was so unlucky as to meet Captain Alban, who reproached me bitterly for having led him to believe that my trunk had been left behind. I contrived to appease his anger by telling him all my misfortunes, and I signed a paper in which I declared that I had no claim whatever upon him. I then purchased a pair of shoes and an overcoat, and met Stephano, whom I informed of my decision to make a pilgrimage to Our Lady of Loretto. I said I would await there for him, and that we would afterwards travel together as far as Rome. He answered that he did not wish to go through Loretto, and that I would repent of my contempt for the grace of Saint-Francis. I did not alter my mind, and I left for Loretto the next day in the enjoyment of perfect health.

I reached the Holy City, tired almost to death, for it was the first time in my life that I had walked fifteen miles, drinking nothing but water, although the weather was very warm, because the dry wine used in that part of the country parched me too much. I must observe that, in spite of my poverty, I did not look like a beggar.

As I was entering the city, I saw coming towards me an elderly priest of very respectable appearance, and, as he was evidently taking notice of me, as soon as he drew near, I saluted him, and enquired where I could find a comfortable inn. "I cannot doubt," he said, "that a person like you, travelling on foot, must come here from devout motives; come with me." He turned back, I followed him, and he took me to a fine-looking house. After whispering a few words to a man who appeared to be a steward, he left me saying, very affably, "You shall be well attended to."

My first impression was that I had been mistaken for some other person, but I said nothing.

I was led to a suite of three rooms; the chamber was decorated with damask hangings, the bedstead had a canopy, and the table was supplied with all materials necessary for writing. A servant brought me a light dressing-gown, and another came in with linen and a large tub full of water, which he placed before me; my shoes and stockings were taken off, and my feet washed. A very decent-looking woman, followed by a servant girl, came in a few minutes after, and curtsying very low, she proceeded to make my bed. At that moment the Angelus bell was heard; everyone knelt down, and I followed their example. After the prayer, a small table was neatly laid out, I was asked what sort of wine I wished to drink, and I was provided with newspapers and two silver candlesticks. An hour afterwards I had a delicious fish supper, and, before I retired to bed, a servant came to enquire whether I would take chocolate in the morning before or after mass.

This volume opens with Casanova arriving in Chiozza, where he must find his own lodging after the ambassador's steward dismisses him with minimal assistance. The narrator's matter-of-fact tone—accepting a shared bed with the cook—establishes a pattern of pragmatic adaptability. The excerpts reveal a memoirist who records both grand encounters (a private audience with Pope Benedict XIV) and mundane frustrations (being ignored at a marchioness's reception) with equal precision.

Improvised Lodgings and Social Navigation

The early chapters detail Casanova's reliance on chance acquaintances for shelter. In Chiozza, he accepts the captain's offer of a bed shared with the cook, noting his trunk must be placed under the bed. This episode exemplifies his willingness to trade comfort for forward movement. Later, in Rome, he presents himself at the marchioness's mansion during open hours, only to be treated as invisible for half an hour. His response—to leave without complaint—suggests a strategic patience that contrasts with his more assertive moments.

The excerpts show a young man constantly reading social cues: the steward's curt instruction to find his own lodging, the druggist's house as a literary rendezvous, and the cardinal's concealed joy after Casanova's papal audience. These details ground the memoir in specific, hierarchical eighteenth-century settings.

Papal Audiences and Verbal Jousting

Casanova's encounter with Pope Benedict XIV is the most vividly rendered scene in the excerpts. He kneels and kisses the Pope's slipper, then recounts his adventures from Martorano, making the pontiff laugh heartily. The Pope invites him to speak Venetian dialect, responding in Bolognese, and grants permission to read forbidden books—though he forgets to provide the written document.

A second meeting at the Villa Medicis showcases Casanova's wit: when the Pope sends a petitioner back to God, Casanova quips that the man feels sent 'from Herod to Pilate.' The Pope laughs, but Casanova keeps a serious countenance. This balancing act—audacious humor within deferential forms—defines his approach to authority throughout the volume.

The Macaronic Academy and Literary Circles

In Chiozza, Casanova is invited to a picnic organized by the Macaronic academicians, where each member recites original compositions. The term 'Macaronic' refers to a burlesque style mixing Latin with vernacular, suggesting the group valued learned humor over solemnity. Casanova's willingness to participate—and his prior acquaintance with a Jacobin friar and a fellow Padua student—indicates his integration into local intellectual networks.

These literary gatherings serve as counterpoints to the formal ecclesiastical settings. The druggist's shop, described as a rendezvous for literary men, becomes a space where Casanova can display his education and social fluency. The excerpts do not reveal what he recited, but the invitation itself underscores his reputation as a promising cleric with a talent for performance.

Readers should note that the catalog subjects—'Europe—History—18th century—Biography'—only partially capture this volume's texture. The excerpts emphasize personal negotiation over historical events, with Casanova's voice oscillating between self-deprecation and pride. Pay attention to how he frames his own agency: he is often at the mercy of others' schedules, yet he consistently turns chance encounters into opportunities for advancement or amusement.

There’s something about the restless, hungry energy of young Casanova in Naples—those lodgings and papal corridors felt so provisional then. It made me think of his later Milanese years, where that same clever unease settles into something more deliberate. I keep returning to The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 05: Milan and Mantua — Key Ideas to Explore as a quieter, more wry echo of the boy I met in Naples.

William Carter
1 month ago

Grace Young
1 month ago

3.5
3.5 out of 5 (2 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Before you leave, reflect on the book

Use these questions to collect your thoughts before moving on.

Your progress 0 / 10
1

Which reading stage best describes you?

2

How did the book work for you overall?

3

Would you recommend this book to another reader?

4

What was the reading difficulty like?

Related eBooks