The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 08: Convent Affairs — Background and Themes

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Casanova, Giacomo, 1725-1798, Machen, Arthur, 1863-1947 [Translator] Project Gutenberg 2004 Not confirmed
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography Readers of public-domain and historical texts
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Words 36,299
Reading time 158 min
Text sections 3

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Casanova's eighth volume focuses on his affair with a beautiful nun in Muran, blending seduction, wit, and philosophical reflection. The narrative reveals his strategic maneuvering within convent society and his encounters with Countess Coronini, offering a window into 18th-century Venetian libertinism.
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Produced by David Widger

MEMOIRS OF JACQUES CASANOVA de SEINGALT 1725-1798

TO PARIS AND PRISON, Volume 2c--Convent Affairs

THE RARE UNABRIDGED LONDON EDITION OF 1894 TRANSLATED BY ARTHUR MACHEN TO WHICH HAS BEEN ADDED THE CHAPTERS DISCOVERED BY ARTHUR SYMONS.

Countess Coronini--A Lover's Pique--Reconciliation--The First Meeting--A Philosophical Parenthesis

My beautiful nun had not spoken to me, and I was glad of it, for I was so astonished, so completely under the spell of her beauty, that I might have given her a very poor opinion of my intelligence by the rambling answers which I should very likely have given to her questions. I knew her to be certain that she had not to fear the humiliation of a refusal from me, but I admired her courage in running the risk of it in her position. I could hardly understand her boldness, and I could not conceive how she contrived to enjoy so much liberty. A casino at Muran! the possibility of going to Venice to sup with a young man! It was all very surprising, and I decided in my own mind that she had an acknowledged lover whose pleasure it was to make her happy by satisfying her caprices. It is true that such a thought was rather unpleasant to my pride, but there was too much piquancy in the adventure, the heroine of it was too attractive, for me to be stopped by any considerations. I saw very well that I was taking the high road to become unfaithful to my dear C---- C----, or rather that I was already so in thought and will, but I must confess that, in spite of all my love for that charming child, I felt no qualms of conscience. It seemed to me that an infidelity of that sort, if she ever heard of it, would not displease her, for that short excursion on strange ground would only keep me alive and in good condition for her, because it would save me from the weariness which was surely killing me.

I had been presented to the celebrated Countess Coronini by a nun, a relative of M. Dandolo. That countess, who had been very handsome and was very witty, having made up her mind to renounce the political intrigues which had been the study of her whole life, had sought a retreat in the Convent of St. Justine, in the hope of finding in that refuge the calm which she wanted, and which her disgust of society had rendered necessary to her. As she had enjoyed a very great reputation, she was still visited at the convent by all the foreign ambassadors and by the first noblemen of Venice; inside of the walls of her convent the countess was acquainted with everything that happened in the city. She always received me very kindly, and, treating me as a young man, she took pleasure in giving me, every time I called on her, very agreeable lessons in morals. Being quite certain to find out from her, with a little manoeuvering, something concerning M---- M----, I decided on paying her a visit the day after I had seen the beautiful nun.

The countess gave me her usual welcome, and, after the thousand nothings which it is the custom to utter in society before anything worth saying is spoken, I led the conversation up to the convents of Venice. We spoke of the wit and influence of a nun called Celsi, who, although ugly, had an immense credit everywhere and in everything. We mentioned afterwards the young and lovely Sister Michali, who had taken the veil to prove to her mother that she was superior to her in intelligence and wit. After speaking of several other nuns who had the reputation of being addicted to gallantry, I named M---- M----, remarking that most likely she deserved that reputation likewise, but that she was an enigma. The countess answered with a smile that she was not an enigma for everybody, although she was necessarily so for most people.

"What is incomprehensible," she said, "is the caprice that she took suddenly to become a nun, being handsome, rich, free, well-educated, full of wit, and, to my knowledge, a Free-thinker. She took the veil without any reason, physical or moral; it was a mere caprice."

"Do you believe her to be happy, madam?"

"Yes, unless she has repented her decision, or if she does not repent it some day. But if ever she does, I think she will be wise enough never to say so to anyone."

The eighth volume of Casanova's memoirs opens with the narrator captivated by a nun whose beauty leaves him momentarily speechless, a rare admission of vulnerability. The setting shifts between the convent of Muran and Venetian casinos, where the boundaries of religious life and libertine pleasure blur. Casanova's account is marked by a tension between admiration and calculation: he marvels at the nun's boldness in arranging a supper alone with him, yet immediately suspects a hidden patron. This dual perspective—awe and suspicion—pervades the narrative, as he navigates a world where appearances are deliberately misleading.

The Nun's Bold Gambit

Casanova presents the nun as an agent of her own desire, orchestrating a meeting that defies convent rules. He notes her courage in risking refusal, yet he cannot fathom how she enjoys such liberty, concluding she must have an acknowledged lover. This inference, though unconfirmed, colors his approach: he admires her audacity but remains wary of being a pawn. The text reveals a pattern of strategic ambiguity—the nun's actions are both transparent and opaque, inviting Casanova's pursuit while withholding full disclosure. His response is to match her boldness with his own, engaging in a game of wits where each move tests the other's intentions.

Banter and Bravado at Supper

The supper scene showcases Casanova's characteristic blend of eroticism and humor. Their dialogue is a volley of double entendres, as when he speaks of 'distilling whites of eggs' into her soul, and she retorts about priming and firing. This repartee reveals a shared appetite for pleasure and wordplay, but also a calculated restraint: Casanova admits to fasting to ensure performance, while the nun deflects his urgency with teasing. The exchange of oysters, described as 'the nectar of the gods,' underscores their sensual complicity. Yet the mood shifts when Casanova steals the sheaths from her writing-table, replacing them with a poem that asserts his role as Love and threatens emasculation if she refuses. This act of theft and substitution is a microcosm of the volume's power dynamics—possession, risk, and the redefinition of boundaries.

Countess Coronini and the Web of Intrigue

Interspersed with the central affair is Casanova's relationship with Countess Coronini, a former political intriguer now retired to a convent. She serves as a source of worldly wisdom, offering 'very agreeable lessons in morals' to the young adventurer. Casanova plans to use her to glean information about his nun, revealing his reliance on social networks to navigate clandestine affairs. The countess embodies a different kind of convent life—one of strategic retreat rather than passionate transgression. Her presence highlights the spectrum of female agency within religious walls, from the countess's informed detachment to the nun's active pursuit of pleasure. Casanova's narrative thus weaves a tapestry of contrasting motivations, where convents are not refuges but stages for performance.

Readers should attend to the gaps in Casanova's account: what the nun truly desires, and whether her friend is a protector or a fiction. The volume's power lies in its unresolved tensions—between confession and concealment, admiration and manipulation. Casanova's voice remains the only constant, shaping events through his interpretations. Approach these memoirs as a crafted self-portrait, where every detail serves the narrator's legend.

That rainy afternoon, Casanova’s maneuvering around the nun felt less like seduction and more like a chess game played in silk. I closed the volume, restless, and my gaze drifted to a shelf I’d ignored for years. The quiet power dynamics there reminded me of another court, wholly different in color. With the Empress Dowager of China — Story, Setting & Ideas sat waiting, its own silken intrigues echoing the Venetian chill.

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