Memoirs — Key Ideas to Explore

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In Category - Memoirs
Leland, Charles Godfrey, 1824-1903 Project Gutenberg 2007 Not confirmed
Authors, American -- 19th century -- Biography; Leland, Charles Godfrey, 1824-1903 Readers of public-domain and historical texts
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Edition facts

Words 166,143
Reading time 723 min
Text sections 14

The source record for Memoirs — Key Ideas to Explore measures this digital text at 166,143 words, 12 hr 3 min estimated reading time, and 14 detected text sections.

The text analysis averages about 22.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Authors, American -- 19th century -- Biography,” connecting these edition facts with the source record’s subject description.

Charles Godfrey Leland's memoirs, written for posthumous use, blend candid self-reflection with anecdotes of literary and political figures. The narrative voice shifts from philosophical preface to lively, digressive recollections of 19th-century American and European intellectual circles.
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Editorial Edition Score 4.8/5

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There was another change to a Mrs. Eaton's boarding-house in Fifth Street, opposite to the side of the Franklin Library. I can remember that there was a very good marine picture by Birch in the drawing-room. This was after living in the Washington Square house, of which I shall speak anon. I am not clear as to these removals. There were some men of culture at Mrs. Eaton's--among them Sears C. Walker, a great astronomer, and a Dr. Brewer, who had travelled in Italy and brought back with him pieces of sculpture. We were almost directly opposite the State House, where liberty had been declared, while to the side, across the street, was the Library founded by Dr. Franklin, with his statue over the door. One of his nieces often told me that this was an absolutely perfect likeness. The old iron railing, now removed--more's the pity!--surrounded the Square, which was full of grand trees.

It was believed that the spirit of Dr. Franklin haunted the Library, reading the books. Once a coloured woman, who, in darkey fashion, was scrubbing the floor after midnight, beheld the form. She was so frightened that she fainted. But stranger still, when the books were removed to the New Library in Locust Street, the ghost went with them, and there it still "spooks" about as of yore to this day, as every negro in the quarter knows.

In regard to Franklin and his apparition, there was a schoolboy joke to this effect: that _whenever_ the statue of Franklin over the Library door heard the clock strike twelve at night, it descended, went to the old Jefferson Wigwam, and drank a glass of beer. But the sell lay in this, that a statue cannot hear.

And there was a dim old legend of a colony of Finns, who, in the Swedish time, had a village all to themselves in Wiccacoe. They were men of darksome lore and magic skill, and their women were witches, who at tide and time sailed forth merrily on brooms to the far-away highlands of the Hudson, where they held high revel with their Yankee, Dutch, and Indian colleagues of the mystic spell. David MacRitchie, in a recent work, has made a note of this curious offshoot of the old Philadelphia Swedes.

And I can also remember that before a marble yard in Race Street there were two large statues of very grim forbidding-looking dogs, of whom it was said that when there was any one about to die in the quarter, these uncanny hounds came down during a nightly storm and howled a death duet.

And when I was very young there still lingered in the minds of those invaluable living chronicles (whether bound in sheepskin or in calf), the oldest inhabitants, memories from before the Revolution of the Indian market, when on every Saturday the natives came from their rural retreats, bringing pelts or skins, baskets, moccasins, _mocos_ or birch boxes of maple-sugar, feathers, and game for sale. Then they ranged themselves all along the west side of Independence Square, in tents or at tables, and sold--or were sold themselves--in bargains. Even now the Sunday-child, or he who is gifted to behold the departed, may see the ghostly forms of Red-men carrying on that weekly goblin market. Miss Eliza Leslie's memory was full of these old stories, which she had collected from old people.

As for the black witches, as there were still four negro sorcerers in Philadelphia in 1883 (I have their addresses), it may be imagined to what an extent _Voodoo_ still prevailed among our Ebo-ny men and brothers. Of one of these my mother had a sad experience. We had a black cook named Ann Lloyd, of whom, to express it mildly, one must say that she was "no good." My mother dismissed her, but several who succeeded her left abruptly. Then it was found that Ann, who professed to be a witch, had put a spell of death on all who should take her place. My mother learned this, and when the last black cook gave warning she received a good admonition as to a Christian being a slave to the evil one. I believe that this ended the enchantment. There is or was in South Fifth Street an African church, over the door of which was the charming inscription, "Those who have walked in Darkness have seen a great light." But this light has not even yet penetrated to the darksome depths of Lombard or South Streets, if I may believe the strange tales which I have heard, even of late, of superstition there.

Leland opens his memoirs with a curious framing device: a dinner at the Atlantic Club in Boston around 1861, where Emerson, Lowell, and others debate the possibility of a truly candid autobiography. Leland champions Casanova over Rousseau, a choice that signals his own approach—selective frankness rather than exhaustive confession. He admits he wrote the book with no initial intention of publication, hoping a friend might mine it for a posthumous biography. This prefatory caution establishes a voice that is at once self-deprecating and shrewdly aware of posterity's appetite for intimate detail.

A Voice Between Candor and Caution

Leland's preface sets a deliberate tone: he will describe what made him what he is, but not everything. He distinguishes his project from Rousseau's "Confessions," which he dismisses as untruthful, and from Casanova's, which he admires for plain candor. The result is a narrative voice that oscillates between openness and reserve. When he recounts the hoax of the Volatile Chelidonian—a flying turtle with diamond-and-emerald shell—he does so with evident relish, yet he also undercuts his own inventiveness: "I did not invest my inventiveness wisely; I should have shared the idea with Barnum." This blend of boast and self-mockery recurs throughout the excerpts, suggesting a writer who enjoys performance but remains aware of his audience's judgment.

Digressions and the Texture of Memory

The memoirs proceed less as a linear narrative than as a series of digressive vignettes. Leland moves from the German bookseller Christern in Philadelphia to the Polish exile Andrékovitch, then to the Frankfort Revolutionary Parliament president who opened a lager-beer establishment. These transitions feel associative rather than chronological, mimicking the way memory itself operates. The pace quickens when Leland describes the daily gatherings at the Bulletin office: George Boker, Frank Wells, and John Godfrey Saxe trade puns, and Leland notes that Wells was "the greatest punster Philadelphia ever produced." The scene is brisk, almost theatrical, with rapid-fire wordplay and a competitive edge—Saxe is "extinguished" in half an hour. Such passages contrast with the more measured, reflective tone of the preface, revealing a writer who can shift from philosophical musing to lively anecdote within a few paragraphs.

The Pace of Anecdote and Reflection

Leland's prose moves at two distinct speeds. In reflective passages, he adopts a measured, almost essayistic rhythm: "It occurred to me as a leading motive that a century or two hence the true inner life of any man who had actually lived from the time when railroads, steamboats, telegraphs, gas, percussion-caps, fulminating matches, the opera and omnibuses, evolution and socialism were quite unknown to his world, into the modern age, would be of some value." The long, cataloguing sentence slows the reader, inviting contemplation of historical change. By contrast, his anecdotes accelerate: the hoax of the Flying Turtle is delivered in brisk, declarative sentences, and the punning contest at the Bulletin office unfolds with rapid dialogue. This alternation creates a varied reading experience, where moments of quiet assessment give way to bursts of comic energy. Leland's control of pace—deliberate in reflection, swift in storytelling—suggests a writer attentive to the rhythms of memory itself.

Readers approaching Leland's memoirs should expect a work that values texture over chronology. The narrative voice is neither consistently intimate nor uniformly detached; it shifts according to the material. Pay attention to the digressions—they often contain the most vivid portraits. Leland's habit of undercutting his own stories with self-deprecating asides invites a skeptical but appreciative reading. The book rewards those who enjoy following a mind at work, tracing connections between literary gossip, political history, and personal reflection.

There is a moment in Charles Leland’s memoirs where the candor feels almost unguarded, as if the page itself were a trusted confidant. That same intimacy surfaces reading of another empire’s inner precincts. One book summons a flicker of the other, quiet company across years. So it was with With the Empress Dowager of China — Story, Setting & Ideas, whose echoes felt strangely familiar.

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4.5 out of 5 (9 User reviews )

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    Zachary Benjamin Miller - 1 month ago
    {'rating': 4, 'content': "These 'Memoirs' offer a fascinating glimpse into the life of a remarkable individual. The author's candid storytelling and vivid descriptions make historical events feel personal and immediate. Each chapter is rich with detail, providing both entertainment and insight. It's a compelling read for anyone interested in personal narratives that intertwine with broader historical contexts. I found myself immersed in the journey and came away with a deeper appreciation for the resilience of the human spirit."}

  • ...
    Kelsey Jones - 3 weeks ago
    {'rating': 3, 'content': "The memoirs are engaging and provide a valuable firsthand account of the era, but the narrative sometimes meanders, and certain periods are covered more thoroughly than others. The author's voice is clear and interesting, yet the pacing could be tighter. Still, for those interested in the subject's life and times, this is a worthwhile read with moments of genuine insight."}

  • ...
    James Jennifer Haley - 3 weeks ago
    {'rating': 2, 'content': 'While the memoirs offer a personal perspective, they often lack the depth and introspection expected from a memoir. The author glosses over significant events and fails to provide adequate context, leaving readers confused. The writing is serviceable but not particularly engaging, and the narrative jumps around without a clear structure. Overall, it feels like a missed opportunity to share a truly compelling story.'}


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