Memoirs of the Life of Sir Walter Scott, Volume 5 (of 10) — A Reader’s Guide
Edition facts
For Memoirs of the Life of Sir Walter Scott, Volume 5 (of 10) — A Reader’s Guide, the stored edition analysis reports 110,899 words, 8 hr 3 min estimated reading time, and 14 detected text sections.
The text analysis averages about 26.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Scott, Walter, 1771-1832,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Morritt had sent him from Worthing.
TO J. B. S. MORRITT, ESQ., M. P., WORTHING.
ABBOTSFORD, November 11, 1814.
MY DEAR MORRITT,--I had your kind letter with the beautiful verses. May the Muse meet you often on the verge of the sea or among your own woods of Rokeby! May you have spirits to profit by her visits (and that implies all good wishes for the continuance of Mrs. M.'s convalescence), and may I often, by the fruits of your inspiration, have my share of pleasure! My Muse is a Tyranness, and not a Christian queen, and compels me to attend to longs and shorts, and I know not what, when, God wot, I had rather be planting evergreens by my new old fountain. You must know that, like the complaint of a fine young boy who was complimented by a stranger on his being a smart fellow, "I am sair halded down by _the bubbly jock_." In other words, the turkey cock, at the head of a family of some forty or fifty infidels, lays waste all my shrubs. In vain I remonstrate with Charlotte upon these occasions; she is in league with the hen-wife, the natural protectress of these pirates; and I have only the inhuman consolation that I may one day, like a cannibal, eat up my enemies. This is but dull fun, but what else have I to tell you about? It {p.010} would be worse if, like Justice Shallow's Davy, I should consult you upon sowing down the headland with wheat. My literary tormentor is a certain Lord of the Isles, famed for his tyranny of yore, and not unjustly. I am bothering some tale of him I have had long by me into a sort of romance. I think you will like it: it is Scottified up to the teeth, and somehow I feel myself like the liberated chiefs of the Rolliad, "who boast their native philabeg restored." I believe the frolics one can cut in this loose garb are all set down by you Sassenachs to the real agility of the wearer, and not the brave, free, and independent character of his clothing. It is, in a word, the real Highland fling, and no one is supposed able to dance it but a native. I always thought that epithet of Gallia _Braccata_ implied subjugation, and was never surprised at Cæsar's easy conquests, considering that his Labienus and all his merry men wore, as we say, bottomless breeks.
Well might he describe himself as being hard at work with his Lord of the Isles. The date of Ballantyne's letter to Miss Edgeworth (November 11), in which he mentions the third Canto as completed; that of the communication from Mr. Train (November 18), on which so much of Canto Fifth was grounded; and that of a note from Scott to Ballantyne (December 16, 1814), announcing that he had sent the last stanza of the poem: these dates, taken together, afford conclusive evidence of the fiery rapidity with which the three last Cantos of The Lord of the Isles were composed.
He writes, on the 25th December, to Constable that he "had corrected the last proofs, and was setting out for Abbotsford to refresh the machine." And in what did his refreshment of the machine consist? Besides having written within this year the greater part (almost, I believe, the whole) of the Life of Swift--Waverley--and {p.011} The Lord of the Isles--he had given two essays to the Encyclopædia Supplement, and published, with an Introduction and notes, one of the most curious pieces of family history ever produced to the world, on which he labored with more than usual zeal and diligence, from his warm affection for the noble representative of its author. This inimitable Memorie of the Somervilles came out in October; and it was speedily followed by an annotated reprint of the strange old treatise, entitled "Rowland's letting off the humours of the blood in the head vein, 1611." He had also kept up his private correspondence on a scale which I believe never to have been exemplified in the case of any other person who wrote continually for the press--except, perhaps, Voltaire; and, to say nothing of strictly professional duties, he had, as a vast heap of documents now before me proves, superintended from day to day, except during his Hebridean voyage, the still perplexed concerns of the Ballantynes, with a watchful assiduity that might have done credit to the most diligent of tradesmen. The "machine" might truly require "refreshment."
Lockhart's fifth volume opens with Scott completing The Lord of the Isles in six weeks over Christmas—a pace the biographer calls 'refreshing the machine.' The narrative then shifts to the Continent: Scott visits Waterloo, meets the Duke of Wellington, Tsar Alexander, and Blücher, and later publishes Paul's Letters to his Kinsfolk. But the volume's most sustained attention falls on Scott's territorial ambitions. He buys the lands of Toftfield for £10,000, renames them Huntly Burn after a brook associated with Thomas the Rhymer, and lays the foundations of Abbotsford's westward extension. These acquisitions are presented not as mere property transactions but as acts of imaginative possession—securing the haunts of 'True Thomas' and the ground of the battle of Melrose.
Verse as Social Currency
Lockhart includes a letter from Scott to the Duke of Buccleuch composed entirely in rhyming couplets, tracing his route from Ross to Sanquhar. The lines—'From Ross, where the clouds on Benlomond are sleeping'—serve as both travelogue and tribute. This is not an isolated flourish; throughout the volume, Scott's verse functions as a social instrument, cementing patronage ties and marking occasions. The biographer treats these poems as evidence of Scott's mental agility and his ease within aristocratic networks. A later anecdote shows Scott extemporizing a couplet about a Sheffield knife during a parting with Lord Byron, suggesting that his facility with rhyme was a habitual mode of connection.
The Industrial Sublime
During a tour of Glasgow's manufacturing establishments, Scott watches the process of singeing muslin—passing fabric over a red-hot iron bar to remove knots. Lockhart records his exclamation: 'The man that imagined this was the Shakespeare of the Wabsters,' followed by a line from Shakespeare. The moment is striking for its juxtaposition of high literary reference with industrial craft. Scott's delight in the mechanical novelty, and his instinct to frame it through quotation, reveals a mind that saw no boundary between the poet's workshop and the weaver's. Lockhart presents this as characteristic: Scott's curiosity extended equally to ballad traditions and to the 'rapidity of lightning' in manufacture.
Territory and Tradition
Scott's purchase of Toftfield is narrated with attention to its symbolic geography. The property includes the Rhymer's Glen, where Thomas the Rhymer was said to have met the Queen of Fairy, and the entire ground of the battle of Melrose—from Skirmish-field to Turn-again. Lockhart notes that Scott renamed the house Huntly Burn at the request of the Ferguson sisters, who would live there. The acquisition thus weaves together personal loyalty (securing a home for his friend Captain Adam Ferguson), antiquarian passion (possessing the sites of border legend), and estate-building. Yet the volume also records interruptions: returns of cramp and the depression caused by opium, the only effective medicine. The territorial expansion is shadowed by bodily fragility.
Readers should attend to how Lockhart structures this volume around the interplay of literary production and physical place. The composition of The Lord of the Isles is compressed into a single chapter; the building of Abbotsford and the purchase of Huntly Burn receive far more detailed treatment. This imbalance suggests that for Lockhart, Scott's lasting achievement was not any single poem but the transformation of landscape into legend—a process enacted through contracts, mason's work, and the renaming of a brook.
Reading Lockhart’s account of Scott at Waterloo, surrounded by the wreckage of a world, I kept thinking how strange it is that a life can turn so completely—on a battlefield, or in a cell. There’s a quiet kinship between the author’s careful rebuilding at Abbotsford and the voice in The Story of a Strange Career: Being the Autobiography of a Convict An Authentic Document — Context and Discussion, both men gathering up what remains after everything shifts. I set the volume down feeling the weight of that.
There are no reviews for this eBook.
What did you think of this book?
Answer a few questions and save a private reflection on this device.
Sharon James Smith - 1 month ago
Angela Thomas - 3 weeks ago
Danielle Smith - 2 weeks ago