Stories about General Warren, in relation to the fifth of March massacre, and the battle of Bunker Hill — Key Ideas to Explore
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Warren was not a man to submit to an insult from any one, least of all from them. He immediately turned back, walked up to them, and calmly requested to know which of them had thus addressed him. Not one of them had the courage to avow his insolence. Finding he could obtain no answer, he at last left them, ashamed of themselves and of each other, but glad to have got off so easily.
WILLIAM. What a set of cowards! I wish Gen. Warren could have given them a good flogging.
MRS. M. It would have been but what they deserved, to be sure. It usually happens that those who are most ready to insult, where they think no defence can be made, are the greatest cowards when called upon to avow or defend what they have done.
Gen. Warren had so much power over the feelings of those whom he addressed, that is, he was so _eloquent_, that he was several times chosen, by those who were in favor of the cause of liberty, to address the people from the pulpit, that a great many at a time might hear him.
Do you know anything about the 5th of March massacre, in which the first American blood was shed by the British?
WILLIAM. Yes, mamma, we both know about it. We have read it in Parley's First Book of History.
MRS. M. I am glad of it; that is a most excellent little history, and contains a great deal you ought to remember. You know, then, that for some years after that massacre, on every 5th of March there was an oration delivered in the Old South meeting-house, to tell every body that one injury after another had been inflicted on us by the British, until the common people had become so angry that whenever they saw a British soldier they wanted to insult him. By the way, I will stop here a moment, to tell you of something which was done by one of the British officers, which will show you that the people of Boston had some reason to dislike them. The British were very much afraid that guns should be procured by the Americans from their soldiers, and whenever they knew that any American had bought a musket from one of their men, they punished him severely. Some of the officers, however, were so eager to have an excuse for punishing our men, that they would tempt them to buy guns, on purpose to make a difficulty. One in particular, a Col. Nesbit, ordered one of his men to offer an American, who had come in from the country, an old musket, very cheap. The poor man, little suspecting any trick, eagerly bought it. Col. Nesbit immediately took him up and confined him all night in the guard house. The next morning he stripped him entirely naked, covered him over with warm tar, then he put feathers over that and placed him on a cart and conducted him through Boston streets, quite up to the south end. He was guarded by thirty grenadiers, with fixed bayonets; twenty drums and fifes accompanied them, playing the "Rogues March," and the despicable Nesbit headed the procession with his sword drawn.
WILLIAM. I think it was a "rogues march" indeed, dear mother, don't you? But what became of the poor man, did not our people rescue him, and do something to that wicked Colonel?
MRS. M. When they reached that part of Washington street where the liberty tree then was, the people had become so excited, that the cowardly Nesbit was glad to let his soldiers disperse, and he and they skulked to their barracks as quick as they could. The unfortunate object of their cruelty was of course liberated and taken care of.
WILLIAM. Oh how I wish they had caught Col. Nesbit, and tarred and feathered him as he had the man!
MRS. M. It was much better to let him go. This conduct of his served our cause better than any thing he could have done; and it would have been a pity for us to have followed his example, and thus have lessened the odium attached to him.
WILLIAM. I do not at all wonder, if such was the conduct of the British, that our men felt angry whenever they met any of them.
Rebecca Warren Brown, publishing under the byline "A Lady of Boston," opens her 1835 biography of Joseph Warren with a domestic scene: Mary Montague and her mother sit sewing by a fire when nine-year-old William complains of tiredness from playing hoop. This framing device, sustained through the excerpts, filters revolutionary history through a mother’s instructive conversations with her children. Brown’s preface declares her intent to answer the question "What did Gen. Warren do?" by showing his years of toil before bloodshed, and her diction throughout—words like "hazardous duty" and "last drop of blood"—repeatedly ties personal sacrifice to national freedom.
Dialogue as a Vehicle for Character
Brown relies heavily on direct speech to dramatize Warren’s resolve. When his mother pleads with him after Lexington, he replies, "Wherever danger is, dear mother, there must your son be." The line echoes a refrain of duty that appears again at Bunker Hill, where Warren tells Putnam, "Do not think I come here to seek a place of safety." These utterances are not merely reported; they are staged as moral declarations. The author’s choice to embed Warren’s words within a conversational frame—often as responses to anxious family members or fellow officers—emphasizes his consistency under pressure. The dialogue is spare, avoiding ornament, and each speech acts as a miniature argument for principled action.
The Mother-Child Frame as Historical Lens
The narrative is structured around Mrs. Montague’s explanations to William and Mary, a device that allows Brown to simplify complex political causes. When William tires of play, his mother turns the moment into a lesson on industry versus idleness. Later, she recounts Warren’s story as a model of perseverance. This framing does more than target a young audience; it positions domestic instruction as the conduit for civic memory. Brown’s preface explicitly aims to place "the leading causes of the Revolution in so strong and clear a light" that a child can comprehend them. The result is a biography where historical events are always mediated through a maternal voice, blending sentiment with didactic purpose.
Diction of Sacrifice and Steadfastness
Brown’s word choices consistently reinforce a theme of voluntary sacrifice. Warren tells his mother he will "shed my last drop of blood to make her so" (referring to America’s freedom). At the redoubt, he refuses command and offers himself as a volunteer, saying he is "happy to learn service from a soldier of experience." The vocabulary—"hazardous," "sacrifice," "last drop," "most furious"—creates a lexicon of martyrdom. Even the British are described in terms of their "handsome coats," a detail that subtly contrasts appearance with substance. Brown avoids abstract praise; instead, she lets Warren’s own reported words and the narrator’s restrained commentary build a portrait of deliberate courage.
Structural Pacing and the Battle Account
The Bunker Hill section shifts from domestic dialogue to a more urgent, scene-by-scene military narrative. Brown describes the rail fence fortified with new-mown hay, the order to "fire low, take aim at their waistbands," and Putnam’s threat to cut down any man who fires early. The prose becomes more compressed, with short clauses: "The command was given, they fired, and nearly the whole front rank of the advancing army was destroyed." This change in rhythm—from the measured exchanges of the Montague household to the rapid, almost breathless battle sequence—mirrors the transition from peacetime deliberation to wartime action. The author uses pacing to underscore that Warren’s final moments are the culmination of years of patient toil.
Brown’s biography is best approached as a deliberate act of historical pedagogy, one that uses intimate dialogue and a mother’s voice to make revolutionary ideals tangible. Readers attentive to the author’s choices in diction and structure will notice how she transforms Warren from a name into a model of sustained patriotism. The book rewards those who consider not just what Warren did, but how Brown chose to tell it—through conversations that turn duty into a lesson for the next generation.
I keep returning to how Rebecca Warren Brown frames her son’s questions, that quiet persistence of a mother’s memory. It reminds me of an old companion volume I once leafed through, Peter Parley's Own Story From the Personal Narrative of the Late Samuel G. Goodrich, ("Peter Parley") — Key Ideas to Explore, whose gentle conversational tone felt similarly unhurried, as if history were just a fireside murmur.
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Steven Brooks - 1 month ago
The book presents a heartfelt tribute to General Warren, blending historical narrative with patriotic fervor. Its strength lies in making the events of 1770 and 1775 relatable to younger readers. However, it simplifies complex historical events and may lack the nuance needed for advanced historians. Still, it's a pleasant and informative read for those new to the topic. -
Edward Sanders - 1 month ago
This work is more hagiography than history. The author's overwhelming adulation of Warren and oversimplified portrayal of the pre-Revolutionary era undermines its credibility. It fails to engage critically with primary sources, and the writing is often overly sentimental. Anyone seeking a balanced, scholarly account of these events should look elsewhere; this reads as a dated, one-sided celebration. -
Beth Harper - 3 weeks ago
This collection of stories about General Warren offers an intimate, accessible entry into the pivotal moments of the American Revolution. The author's focus on Warren's role in both the Boston Massacre aftermath and Bunker Hill humanizes a historical figure often overshadowed by Washington. The narrative is engaging, and the author's passion for the subject is evident. An excellent read for history buffs and students alike.
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Henry Campbell
3 weeks ago