Journals of Dorothy Wordsworth, Vol. 2 (of 2) — Text and Context
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This was the first sea-loch we had seen. We came prepared for a new and great delight, and the first impression which William and I received, as we drove rapidly through the rain down the lawn of Arrochar, the objects dancing before us, was even more delightful than we had expected. But, as I have said, when we looked through the window, as the mists disappeared and the objects were seen more distinctly, there was less of sheltered valley-comfort than we had fancied to ourselves, and the mountains were not so grand; and now that we were near to the shore of the lake, and could see that it was not of fresh water, the wreck, the broken sea-shells, and scattered sea-weed gave somewhat of a dull and uncleanly look to the whole lake, and yet the water was clear, and might have appeared as beautiful as that of Loch Lomond, if with the same pure pebbly shore. Perhaps, had we been in a more cheerful mood of mind we might have seen everything with a different eye. The stillness of the mountains, the motion of the waves, the streaming torrents, the sea-birds, the fishing-boats were all melancholy; yet still, occupied as my mind was with other things, I thought of the long windings through which the waters of the sea had come to this inland retreat, visiting the inner solitudes of the mountains, and I could have wished to have mused out a summer's day on the shores of the lake. From the foot of these mountains whither might not a little barque carry one away? Though so far inland, it is but a slip of the great ocean: seamen, fishermen, and shepherds here find a natural home. We did not travel far down the lake, but, turning to the right through an opening of the mountains, entered a glen called Glen Croe.
Our thoughts were full of Coleridge, and when we were enclosed in the narrow dale, with a length of winding road before us, a road that seemed to have insinuated itself into the very heart of the mountains--the brook, the road, bare hills, floating mists, scattered stones, rocks, and herds of black cattle being all that we could see,--I shivered at the thought of his being sickly and alone, travelling from place to place.
The Cobbler, on our right, was pre-eminent above the other hills; the singular rocks on its summit, seen so near, were like ruins--castles or watch-towers. After we had passed one reach of the glen, another opened out, long, narrow, deep, and houseless, with herds of cattle and large stones; but the third reach was softer and more beautiful, as if the mountains had there made a warmer shelter, and there were a more gentle climate. The rocks by the river-side had dwindled away, the mountains were smooth and green, and towards the end, where the glen sloped upwards, it was a cradle-like hollow, and at that point where the slope became a hill, at the very bottom of the curve of the cradle, stood one cottage, with a few fields and beds of potatoes. There was also another house near the roadside, which appeared to be a herdsman's hut. The dwelling in the middle of the vale was a very pleasing object. I said within myself, How quietly might a family live in this pensive solitude, cultivating and loving their own fields! but the herdsman's hut, being the only one in the vale, had a melancholy face; not being attached to any particular plot of land, one could not help considering it as just kept alive and above ground by some dreary connexion with the long barren tract we had travelled through.
The afternoon had been exceedingly pleasant after we had left the vale of Arrochar; the sky was often threatening, but the rain blew off, and the evening was uncommonly fine. The sun had set a short time before we had dismounted from the car to walk up the steep hill at the end of the glen. Clouds were moving all over the sky--some of a brilliant yellow hue, which shed a light like bright moonlight upon the mountains. We could not have seen the head of the valley under more favourable circumstances.
Dorothy Wordsworth's second volume of journals, edited by William Knight, continues her detailed record of travels through Scotland, the Continent, and the Isle of Man between 1803 and 1828. The excerpts show a writer attentive to the practicalities of movement—the condition of roads, the quality of inns, the cost of provisions—alongside the visual and social texture of the places she passes through. Her prose is precise about distances, landmarks, and the names of estates and rivers, yet she also notes the mood of a landscape, as when she describes the valley near Moss Paul as 'melancholy and wild, but not dreary.' The journals are not merely scenic; they record encounters with local people, from Highland girls to tinkers, and the occasional presence of literary figures like Walter Scott, whose directions the Wordsworths follow near Teviot.
Travel as a Record of Practical Details
The excerpts reveal Dorothy Wordsworth's consistent attention to the logistics of travel: the state of roads, the availability of food, the cost and cleanliness of inns. At Langholm, she notes the inn is 'neat and comfortable—exceedingly clean' and remarks that she 'could hardly believe we were still in Scotland.' Such observations are not incidental; they form a running commentary on the infrastructure of early nineteenth-century travel. She records feeding the horse at Moss Paul, saving cheese-cakes and sandwiches from the previous day, and noting that several travellers were 'drinking whisky' at the inn. These details ground the narrative in the physical realities of journeying, making the journals a valuable document for understanding the practical conditions of touring in the period.
Landscape Descriptions Anchored in Specificity
Dorothy's descriptions of landscape are notable for their specificity and restraint. She does not generalize but instead notes particular features: the 'soft yellow green' of a valley, the 'blue slates' of Langholm's roofs, the 'stony channel' of the river Esk. Her eye for detail extends to the human shaping of the land—plantations, arable land, unfenced pastures—and she distinguishes between different types of scenery. The valley near Teviot, unnamed in song, is praised for its 'pastoral simplicity' and the absence of tilled ground. She also records when a landscape fails to impress, as when she writes that after Moss Paul the country was 'not peculiar, I should think, for I scarcely remember it.' This honesty gives her observations credibility.
Encounters and Literary Connections
Throughout the excerpts, Dorothy notes meetings with local people and references to literary figures. At Branxholm Hall, she looks at the mansion 'with particular interest for the sake of the Lay of the Last Minstrel,' linking the place to Walter Scott's poem. Later, she follows Scott's directions to look for 'old stumps of trees' associated with Johnny Armstrong. The journals also record the presence of Coleridge, who travels with them for part of the tour and then departs, a moment noted with regret. These connections situate the travel narrative within a broader literary and historical context, but Dorothy's focus remains on the immediate experience: the sight of the coach that had carried Coleridge home, the encounter with the Highland girls at the ferry-house, the tinkers near Loch Etive.
Readers approaching this volume should expect a diary that balances the personal with the documentary. Dorothy Wordsworth rarely reflects at length on her emotions; instead, she lets the sequence of days and places speak for themselves. The journal is best read as a companion to the landscapes it describes, with a map at hand to trace the route. The editor's notes and the inclusion of Mary Wordsworth's journal in the same volume provide additional perspectives, but Dorothy's own voice—precise, observant, and unpretentious—remains the central draw.
Reading Dorothy’s account of wild Scottish roads and weary inns, I felt the quiet intimacy of travel—two people moving through weather and strangers together. It reminded me of another diary, one kept far east of the Lakes, where a woman held onto ordinary days during extraordinary fear: A Diary Kept by Mrs. R. C. Germon, at Lucknow, Between the Months of May and December, 1857 — A Closer Reading. Both felt like lantern light in a dark passage.
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