Personal sketches of his own times, Vol. 2 (of 3) — Background and Themes

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Barrington, Jonah, Sir, 1760-1834 Project Gutenberg 2015 Not confirmed
Barrington, Jonah, Sir, 1760-1834; Judges -- Ireland -- Biography; Ireland -- Social life and customs -- 18th century; Ireland -- Social life and customs -- 19th century Readers of public-domain and historical texts
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Words 111,223
Reading time 484 min
Text sections 30

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Sir Jonah Barrington's second volume of memoirs focuses on Irish dueling culture, legal anecdotes, and a detailed portrait of actress Mrs. Jordan, blending personal observation with broader social commentary on late 18th- and early 19th-century Ireland.
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Such was my feeling on your Lordship’s suggestion to me of a _third_ volume of those Sketches, “composed of _similar materials_.” To have amused you gives me pleasure—to have informed you excites my vanity. My gratitude for your kindness (when in office) has met no alloy by retirement from a station where your repute will find no rivals. Your _suggestion_ is in progress.

Time and declining health impair the vigour of men’s intellect,—in that point I must bow to Providence. But such as my coming volume may be, if it does not arrive at my own wishes, I hope it will not stop very short of your Lordship’s expectation.

I am, my Dear Lord, With true regard and respect, Your Lordship’s sincere Servant, &c. JONAH BARRINGTON.

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Passion for duelling in Ireland—Ancient duel before the judges and law authorities, &c. &c. at the Castle of Dublin—List of official and judicial duellists in author’s time—Family weapons described—The Fire-eaters’ Society—Their chiefs—Elegant institution of the Knights of Tara—Description of them—Their exhibitions and meetings—The rules of duelling and points of honour established by the fire-eaters, called the Thirty-six Commandments—Singular duel between the author and Mr. Richard Daley, a remarkable duellist and fop—Daley hit—Author’s second the celebrated Balloon Crosby—His singular appearance and character p. 1

DUELLING EXTRAORDINARY.

Frequency of election duels—Ludicrous affair between Frank Skelton and an exciseman—Frank shoots the exciseman and runs away—His curious reasons—Sir J. Rourke’s quadrille duel, with five hits—Mr. H. D. G * * * y’s remarkable meeting with Counsellor O’Maher—O’Maher hit—Civil proposition of G * * * y’s second—G * * * y’s gallant letter to the author on his election for Maryborough—Honourable Barry Yelverton challenged by nine officers at once—His elucidation of the Fire-eaters’ Resolutions—Lord Kilkenny’s memorable duels and law-suits—His lordship is shot by Mr. Ball, an attorney—The heir to his title (the Hon. Somerset Butler) challenges Counsellor Burrowes—The latter hit, but his life saved by some gingerbread nuts—Lord Kilkenny’s duel with Counsellor Byrne—The counsellor wounded—Counsellor Guinness escapes a rencontre—Sketch of Counsellor M‘Nally—His duel with the author—His three friends: all afterward hanged—M‘Nally wounded—Bon-mot of Mr. Harding—The affair highly beneficial to M‘Nally—His character, marriage, and death—Ancient mode of fighting duels—The lists described—Duel of Colonel Barrington with Squire Gilbert on horseback—Both wounded—Gilbert’s horse killed—Chivalrous conclusion 30

Curious fatality in the Hartpole family—Characteristic sketch of the last of the name—Description of Shrewl Castle—The chapel and cemetery—Strictures on Epitaph writing—Eccentricities of the Earl of Aldborough—His lordship proposes his sister, Lady Hannah Stratford, as _returning officer_ for the borough of Baltinglass—Consequent disturbances—The North-Briton put on his mettle, but out-manœuvred—“Lending to _the Lord_”—Successful conspiracy to marry Hartpole to the daughter of a village inn-keeper—He is stabbed by his wife, and deserts her in consequence—He forms an attachment to Miss Maria Otway, whom he marries, under the plea of his previous connexion being illegal—Unfortunate nature of this union—Separation of the parties—Hartpole’s voyage to Portugal, his return and death—Sundry other anecdotes of the Stratford family 59

HAMILTON ROWAN AND THE BAR.

Sketch of the character of Mr. Hamilton Rowan—His Quixotic spirit of philanthropy—Case of Mary Neil, taken up by Mr. Rowan—Dinner-club among the briefless barristers of Dublin—Apparition of Mr. Hamilton Rowan and his dog—More frightened than hurt—An unanswerable query—Mr. Rowan’s subsequent adventures—The Rev. Mr. Jackson—He is brought up to receive sentence for high treason, and expires in court 110

An Irish peasant cutting his own head off _by mistake_—His reputed ghost—Humours of an Irish _wake_—_Natural_ deaths of the Irish peasantry—Reflections on the excise laws 121

Humorous story of Father O’Leary and a bear—Mistaken notions respecting Ireland on the Continent—Lord Ventry and his tenant: an anecdote characteristic of the Irish peasant 131

DEATH OF LORD ROSSMORE.

Strictures on Dr. Johnson—His biographer, Boswell—False definitions and erroneous ethics—Superstition—Supernatural appearances—Theological argument of the author in favour of his peculiar faith—Original poetry by Miss T * * *—The author purchases Lady Mayo’s demesne, County Wicklow—Terrific and cultivated scenery contrasted—Description of the Golden Belt of Ireland and the beauties of the above-mentioned county—Lord Rossmore—His character—Supernatural incident of a most extraordinary nature, vouched by living witnesses, and attendant on the sudden death of his lordship 138

Sir Jonah Barrington opens this volume with a dedication to Lord Stowell, noting that the general approval of his first volume prompted a suggestion for a third, “composed of similar materials.” The preface thus frames the work as a continuation of anecdotal memoir rather than systematic history. The table of contents immediately signals a preoccupation with dueling: chapters titled “The Fire-Eaters” and “Duelling Extraordinary” promise accounts of Irish dueling culture, complete with a list of “official and judicial duellists” and a code called the “Thirty-six Commandments.” Yet the excerpts also reveal a shift toward theatrical portraiture, particularly in the extended sketch of Mrs. Jordan, whose habits and reflections occupy a substantial portion of the text. This volume thus oscillates between two poles: the violent rituals of the Irish gentry and the private life of a celebrated actress.

Dueling as Social Theater

The catalog subjects list “Ireland — Social life and customs — 18th century” and “19th century,” and the excerpts confirm that Barrington treats dueling as a central social ritual. The chapter “The Fire-Eaters” describes a “passion for duelling in Ireland” and includes a “list of official and judicial duellists in author’s time.” Barrington presents dueling not merely as violence but as a codified performance: the “Fire-eaters’ Society” had “rules of duelling and points of honour” called the “Thirty-six Commandments.” One anecdote recounts a “ludicrous affair between Frank Skelton and an exciseman,” where Skelton “shoots the exciseman and runs away” with “curious reasons.” Another tells of “Honourable Barry Yelverton challenged by nine officers at once,” leading to an “elucidation of the Fire-eaters’ Resolutions.” These episodes suggest that dueling functioned as a form of social theater, with its own etiquette, humor, and absurdities.

Mrs. Jordan: The Actress Offstage

Barrington’s portrait of Mrs. Jordan occupies a significant portion of the excerpts, offering a counterpoint to the dueling narratives. He describes her daily routine: “in the mornings she usually seemed depressed; at noon she went to rehearsal—came home fatigued, dined at three, and then reclined in her chamber till it was time to dress.” The contrast between her offstage languor and onstage vitality is stark: “the moment her foot touched the scenic boards her spirit seemed to be regenerated.” Barrington records her own explanation: “Habit! old habit! … I told Nature I was then at her service … I became, in fact, merely her puppet.” This self-deprecating account of her craft reveals a performer who attributed her success to instinct rather than calculation. Barrington also notes that during her 1809 visit to Dublin, she “disappointed all” in private society because “there was about her no display.” The sketch thus emphasizes the gap between public performance and private demeanor.

Legal and Personal Anecdotes

Barrington’s position as a judge informs many of the sketches. The catalog subject “Judges — Ireland — Biography” is reflected in anecdotes about legal figures, such as “Lord Kilkenny’s memorable duels and law-suits” and “his lordship is shot by Mr. Ball, an attorney.” The volume also includes a “singular duel between the author and Mr. Richard Daley,” where Barrington himself is a participant. His second is the “celebrated Balloon Crosby,” described as having a “singular appearance and character.” These personal vignettes blend legal observation with memoir. Barrington’s tone is often wry, as when he notes that a dueling code was “called the Thirty-six Commandments.” The excerpts do not reveal the outcome of many episodes, but they establish Barrington as a narrator who is both insider and commentator, using his own experiences to illuminate the customs of his time.

Readers should approach this volume as a collection of discrete sketches rather than a continuous narrative. Barrington’s voice is that of a participant-observer, and his judgments are often implicit in the anecdotes he chooses to tell. The excerpts suggest that the book rewards those interested in the intersection of legal history, social ritual, and theatrical biography. Because the text is incomplete in the excerpts, some episodes may lack resolution, but the vividness of Barrington’s detail compensates for any gaps.

The rain kept Sir Jonah’s duels and Mrs. Jordan’s laughter company that afternoon. His gossip about Georgian drawing-rooms made me wonder what those same rooms held later, when political wives bore the weight of it all. By dusk, I had turned to Wives of the Prime Ministers, 1844-1906 — Text and Context instead, another kind of stage, quieter but no less storied.

Evelyn King
2 weeks ago

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